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Blumhouse did an amazing job with one of our most beloved characters and they need to start giving all our other characters the same treatment as this version of Michael Myers.
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You must be a registered user to use the IMDb rating plugin. Learn more More Like This. Bad Times at the El Royale The Return of Michael Myers A Star Is Born Season of the Witch Edit Cast Cast overview, first billed only: Laurie Strode Judy Greer Allyson James Jude Courtney The Shape Nick Castle The Shape Haluk Bilginer Officer Hawkins Rhian Rees Dana Haines Jefferson Hall Aaron Korey Toby Huss Cameron Elam Miles Robbins Edit Storyline Laurie Strode confronts her long-time foe Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago.
Edit Details Official Sites: Edit Did You Know? Returning home to Haddonfield, Michael kills a mechanic for his coveralls and steals a mask, knives, and rope from a local hardware store.
The following day, on Halloween, Michael begins stalking high school student Laurie Strode after she drops off a key at his former house, so her father can sell it.
Loomis arrives in Haddonfield in search of Michael, discovering that Judith Myers' headstone has been stolen from the local cemetery.
He meets with Annie's father, Sheriff Leigh Brackett, and the two begin their search at Michael's home, where Loomis attempts to warn the skeptical sheriff about the danger Michael poses, explaining that Michael is pure evil and capable of further violence, despite years of catatonia.
Sheriff Brackett patrols the streets while Loomis waits and watches the house, expecting Michael to return there. Later that night, Laurie babysits Tommy Doyle, while Annie babysits Lindsey Wallace just across the street, unaware that Michael has followed them.
When Annie's boyfriend, Paul, calls her to come and pick him up, she takes Lindsey over to the Doyle house to spend the night with Laurie and Tommy.
Annie is just about to leave in her car when Michael, who was hiding in the back seat, strangles her before slitting her throat. Soon after, Lynda and her boyfriend Bob Simms arrive at the Wallace house.
After having sex, Bob goes downstairs to get a beer for Lynda, but Michael fatally stabs him, pinning him to a wall. Michael then poses as Bob in a ghost costume and confronts Lynda, who teases him, to no effect.
Annoyed, Lynda calls Laurie, but Michael strangles Lynda to death with the telephone wire just as Laurie picks up. Meanwhile, Loomis discovers the stolen car and begins searching the streets.
Suspicious, Laurie goes over to the Wallace house. There, she finds the bodies of Annie, Bob, and Lynda in an upstairs bedroom, as well as Judith Myers' headstone.
Horrified, Laurie cowers in a hallway, when Michael suddenly appears and attacks her, slashing her arm. Barely escaping, Laurie races back to the Doyle house.
Michael gets in and attacks her again, but Laurie manages to fend him off long enough for Tommy and Lindsey to escape. Laurie defends herself by stabbing him with a knitting needle, a metal hanger, and his own knife, but Michael re-animates and attacks Laurie.
Loomis sees the two children fleeing the house, and goes to investigate, finding Michael and Laurie fighting upstairs. Loomis draws his revolver and shoots Michael six times, knocking him off the balcony; when Loomis goes to check Michael's body, he finds it missing.
Loomis stares off into the night, while Laurie begins sobbing in terror. As various locations across Haddonfield are shown, Michael's breathing is heard, indicating that he could be anywhere.
A final shot of the Myers house is shown. Some feminist critics, according to historian Nicholas Rogers, "have seen the slasher movies since Halloween as debasing women in as decisive a manner as hard-core pornography.
Although she manages to repel the killer several times, in the end, Strode is rescued in Halloween and Halloween II only when Dr.
Loomis arrives to shoot Myers. Other feminist scholars such as Carol J. Clover argue that despite the violence against women, Halloween and other slasher films turned women into heroines.
Despite the fact that Loomis saves Strode, Clover asserts that Halloween initiates the role of the " final girl " who ultimately triumphs in the end.
Strode fights back against Myers and severely wounds him. Briefel further argues that these moments are masochistic in nature and give pleasure to men because they are willingly submitting themselves to the women of the film; they submit themselves temporarily because it will make their return to authority even more powerful.
She remarks that parental figures are almost entirely absent throughout the film, noting that when Laurie is attacked by Michael while babysitting, "No parents, either of the teenagers or of the children left in their charge, call to check on their children or arrive to keen over them.
Another major theme found in the film is the dangers of premarital sex. Clover believes that killers in slasher films are fueled by a "psychosexual fury"  and that all the killings are sexual in nature.
She reinforces this idea by saying that "guns have no place in slasher films" and when examining the film I Spit on Your Grave she notes that "a hands-on killing answers a hands-on rape in a way that a shooting, even a shooting preceded by a humiliation, does not.
Teens, Slasher Films, and the Family". She remarks that Laurie's friends "think of their babysitting jobs as opportunities to share drinks and beds with their boyfriends.
One by one they are killed The dangers of suburbia is another major theme that runs throughout the film and the slasher genre at large: Pat Gill states that slasher films "seem to mock white flight to gated communities, in particular the attempts of parents to shield their children from the dangerous influences represented by the city.
Michael is thought by some to represent evil in the film. This is based on the common belief that evil never dies, nor does evil show any remorse.
This idea is demonstrated in the film when Dr. Loomis discusses Michael's history with the sheriff. Loomis states, "I spent eight years trying to reach him [Michael Myers], and then another seven trying to keep him locked up because I realized that what was living behind that boy's eyes was purely and simply Carpenter himself dismisses the notion that Halloween is a morality play , regarding it as merely a horror film.
He explains, "The one girl who is the most sexually uptight just keeps stabbing this guy with a long knife.
She's the most sexually frustrated. She's the one that's killed him. Not because she's a virgin but because all that sexually repressed energy starts coming out.
She uses all those phallic symbols on the guy. Historian Nicholas Rogers notes that film critics contend that Carpenter's direction and camera work made Halloween a "resounding success.
Carpenter is uncannily skilled, for example, at the use of foregrounds in his compositions, and everyone who likes thrillers knows that foregrounds are crucial.
The camera slowly moves toward the jack-o'-lantern's left eye as the main title theme plays. After the camera fully closes in, the jack-o'-lantern's light dims and goes out.
Telotte says that this scene "clearly announces that [the film's] primary concern will be with the way in which we see ourselves and others and the consequences that often attend our usual manner of perception.
The first scene of the young Michael's voyeurism is followed by the murder of Judith seen through the eye holes of Michael's clown costume mask. According to scholar Nicholas Rogers, Carpenter's "frequent use of the unmounted first-person camera to represent the killer's point of view In a single, wonderfully fluid tracking shot, the camera establishes the quiet character of a suburban street, the sexual hanky-panky going on between a teenage couple in one of the staid-looking homes, the departure of the boyfriend, a hand in the kitchen drawer removing a butcher's knife, the view on the way upstairs from behind the eye-slits of a Halloween mask, the murder of a half-nude young girl seated at her dressing table, the descent downstairs and whammo!
The killer stands speechless on the lawn, holding the bloody knife, a small boy in a satin clown suit with a newly-returned parent on each side shrieking in an attempt to find out what the spectacle means.
After viewing Carpenter's film Assault on Precinct 13 at the Milan Film Festival, independent film producer Irwin Yablans and financier Moustapha Akkad sought out Carpenter to direct a film for them about a psychotic killer that stalked babysitters.
It took approximately 10 days to write the screenplay. According to a Fangoria interview with Hill, "Yablans wanted the script written like a radio show, with 'boos' every 10 minutes.
Although Samhain is not mentioned in the plot of the first film, Hill asserts that:. We went back to the old idea of Samhain, that Halloween was the night where all the souls are let out to wreak havoc on the living, and then came up with the story about the most evil kid who ever lived.
And when John came up with this fable of a town with a dark secret of someone who once lived there, and now that evil has come back, that's what made Halloween work.
Hill, who had worked as a babysitter during her teenage years, wrote most of the female characters' dialogue,  while Carpenter drafted Loomis' speeches on the soullessness of Michael Myers.
Many script details were drawn from Carpenter's and Hill's own backgrounds and early careers: The fictional town of Haddonfield, Illinois was derived from Haddonfield, New Jersey , where Hill was raised,  while several of the street names were taken from Carpenter's hometown of Bowling Green, Kentucky.
Tommy Doyle is named after Lt. In devising the backstory for the film's villain, Michael Myers, Carpenter drew on "haunted house" folklore that exists in many small American communities: There's always a house down the lane that somebody was killed in, or that somebody went crazy in.
Loomis was originally intended for Peter Cushing , who had recently appeared as Grand Moff Tarkin in Star Wars ; Cushing's agent rejected Carpenter's offer due to the low salary.
In an interview, Carpenter admits that "Jamie Lee wasn't the first choice for Laurie. I had no idea who she was. However, Lockhart had commitments to several other film and television projects.
Soles to play Lynda Van Der Klok, another loquacious friend of Laurie's, best remembered in the film for dialogue peppered with the word "totally.
The role of "The Shape" — as the masked Michael Myers character was billed in the end credits — was played by Nick Castle, who befriended Carpenter while they attended the University of Southern California.
Akkad worried over the tight, four-week schedule, low budget, and Carpenter's limited experience as a filmmaker, but told Fangoria: One, Carpenter told me the story verbally and in a suspenseful way, almost frame for frame.
Second, he told me he didn't want to take any fees, and that showed he had confidence in the project". Because of the low budget, wardrobe and props were often crafted from items on hand or that could be purchased inexpensively.
Carpenter hired Tommy Lee Wallace as production designer , art director , location scout and co-editor. In the script it said Michael Myers's mask had 'the pale features of a human face' and it truly was spooky looking.
I can only imagine the result if they hadn't painted the mask white. Children would be checking their closet for William Shatner after Tommy got through with it.
Penney for around a hundred dollars. Halloween was filmed in 20 days over a four-week period in May An abandoned house owned by a church stood in as the Myers house.
Two homes on Orange Grove Avenue near Sunset Boulevard in Hollywood were used for the film's climax, as the street had few palm trees , and thus more closely resembled a Midwestern street.
Carpenter worked with the cast to create the desired effect of terror and suspense. According to Curtis, Carpenter created a "fear meter" because the film was shot out-of-sequence and she was not sure what her character's level of terror should be in certain scenes.
She had different facial expressions and scream volumes for each level on the meter. Critic James Berardinelli calls the score "relatively simple and unsophisticated", but admits that " Halloween' s music is one of its strongest assets".
Some songs can be heard in the film, one being an untitled song performed by Carpenter and a group of his friends who formed a band called The Coupe De Villes.
The song is heard as Laurie steps into Annie's car on her way to babysit Tommy Doyle. On September 7, , the official Halloween Movies Facebook page announced that the original Halloween would be theatrically re-released starting October 25, in celebration of the film's 35th anniversary in A new documentary was screened before the film at all locations, entitled, You Can't Kill the Boogeyman: The newly filmed scenes include Dr.
Loomis at a hospital board review of Michael Myers and Dr. Loomis talking to a thenyear-old Michael at Smith's Grove, telling him, "You've fooled them, haven't you, Michael?
Loomis at Smith's Grove examining Michael's abandoned cell after his escape and seeing the word "Sister" scratched into the door.
The new scene had Laurie's hair hidden by a towel, since Curtis was by then wearing a much shorter hairstyle than she had worn in In August , Fangoria reported that Synapse Films had discovered boxes of negatives containing footage cut from the film.
One was labeled "" suggesting that it was additional footage for the television version of the film. Synapse owner Don May, Jr.
Luckily, Billy [Kirkus] was able to find this material before it was destroyed. The story on how we got the negative is a long one, but we'll save it for when we're able to showcase the materials in some way.
Kirkus should be commended for pretty much saving the Holy Grail of horror films. There is no sound in any of the reels so far, since none of it was used in the final edit.
Upon its initial release, Halloween performed well with little advertising—relying mostly on word-of-mouth, but many critics seemed uninterested or dismissive of the film.
Pauline Kael wrote a scathing review in The New Yorker suggesting that "Carpenter doesn't seem to have had any life outside the movies: The Los Angeles Times deemed the film a "well-made but empty and morbid thriller,"  while Bill von Maurer of The Miami Times felt it was "surprisingly good," noting: Allen pointed out the stylistic similarities to Psycho and George A.
Romero 's Night of the Living Dead The following month, Voice lead critic Andrew Sarris wrote a follow-up feature on cult films , citing Allen's appraisal of Halloween and saying in the lead sentence that the film "bids fair to become the cult discovery of Audiences have been heard screaming at its horrifying climaxes".
Maybe you don't like movies that are really scary: Then don't see this one. The site's critical consensus reads, "Scary, suspenseful, and viscerally thrilling, Halloween set the standard for modern horror films.
Many compared the film with the work of Alfred Hitchcock, although TV Guide calls comparisons made to Psycho "silly and groundless"  and some critics in the late s and early s blamed the film for spawning the slasher subgenre, which they felt had rapidly descended into sadism and misogyny.
Claiming it encouraged audience identification with the killer, Martin and Porter pointed to the way "the camera moves in on the screaming, pleading, victim, 'looks down' at the knife, and then plunges it into chest, ear, or eyeball.
Years after its debut, Halloween enjoys a reputation as a classic  and is considered by many as one of the best films of Since Halloween ' s premiere, it has been released in several home video formats.
On October 2, , the film was released for the first time on Blu-ray by Anchor Bay. The Return of Michael Myers and Halloween 5: American Film Institute lists.
Halloween is a widely influential film within the horror genre; it was largely responsible for the popularization of slasher films in the s.
Halloween popularized many tropes that have become completely synonymous with the slasher genre.
Halloween helped to popularize the final girl trope , the killing off of characters who are substance abusers or sexually promiscuous,  and the use of a theme song for the killer.
Carpenter also shot many scenes from the perspective of the killer in order to build tension. These elements have become so established that many historians argue that Halloween is responsible for the new wave of horror that emerged during the s.
The major themes present in Halloween would also become common in the slasher films it inspired. Film scholar Pat Gill notes that in Halloween , there is a theme of absentee parents  but films such as A Nightmare on Elm Street and Friday the 13th feature the parents becoming directly responsible for the creation of the killer.
There are slasher films that predated Halloween , such as Silent Night, Bloody Night , The Texas Chain Saw Massacre and Black Christmas which contained prominent elements of the slasher genre; both involving a group of teenagers being murdered by a stranger as well having the final girl trope.
Halloween , however, is considered by historians as being responsible for the new wave of horror films, because it not only used these tropes but also pioneered many others.
A mass market paperback novelization of the same name , written by Curtis Richards a pseudonym that was used by author Richard Curtis , was published by Bantam Books in It was reissued in The novelization adds aspects not featured in the film, such as the origins of the curse of Samhain and Michael Myers' life in Smith's Grove Sanatorium, which contradict its source material.
For example, the novel's version of Michael speaks during his time at the sanitarium;  in the film, Dr. Loomis states, "He hasn't spoken a word in fifteen years.
In , Halloween was adapted as a video game for the Atari by Wizard Video. Players take on the role of a teenage babysitter who tries to save as many children from an unnamed, knife-wielding killer as possible.
It was simply a piece of tape with "Halloween" written in marker. When the babysitter is killed, her head disappears and is replaced by blood pulsating from the neck as she runs around exaggeratedly.
The game's primary similarity to the film is the theme music that plays when the killer appears onscreen. Halloween spawned seven sequels , a remake directed by Rob Zombie , and a sequel to the remake , which is unrelated to the sequel of the original.
It begins exactly where Halloween ends and was intended to finish the story of Michael Myers and Laurie Strode. Halloween II was a box office success, becoming the second-highest grossing horror film of behind An American Werewolf in London.
Season of the Witch , the plot of which is unrelated to the other films in the series due to the absence of Michael Myers. After the negative critical and commercial reception for Season of the Witch , the filmmakers brought back Michael Myers in Halloween 4: